My work is rooted in storytelling through the body and in uncovering the emotional core of a story. I am deeply interested in creating theatrical spaces that nurture non-realism and invite audiences into experiences that are visceral, poetic, and embodied. I believe the body carries knowledge beyond language, and I am fascinated by the many ways we can physically share memory, emotion, grief, mythology, and ancestral wisdom through performance.

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Much of my work explores what has been forgotten or erased—ancient knowledge, ritual, instinct, and the physical language that once connected people more deeply to themselves and one another. Through movement, imagery, and collaboration, I seek to bring these intangible experiences to life in ways that feel immediate and alive.

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Visual storytelling is essential to my artistic practice. While highly verbal theatre certainly has its place, I believe layering physical and visual storytelling alongside text creates a more holistic theatrical experience. I am inspired by artists and companies that have carved out space for physical storytelling within our community and have challenged traditional expectations of what theatre can be.

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Non-realism and magical realism are often dismissed as fantasy, yet I believe they reveal profound truths about the human experience. Theatre does not have to be buttoned up or rigidly structured in order to be meaningful. I spent decades learning the rules of theatre; now I am interested in breaking them in pursuit of something more expansive, instinctual, and emotionally resonant.

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I collaborate with passionate artists who share my curiosity about how stories can live physically in the body and onstage. Together, we search for new theatrical languages that allow audiences not only to witness a story, but to feel it. My hope is that those who experience my work leave viscerally moved by the ways bodies and souls can connect through storytelling.

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Ultimately, I do this work because it fills my soul. I am not complete without it.