review - SHE KILLS MONSTERS - Mesa Encore Theatre by Carolyn Thomas, January 14, 2020 

Fight Choreographer Stephanie "Tippi" Hart deserves overwhelming kudos for her work on this production. Fights are a huge part of this play, and keeping them exciting, realistic (to a point), and innovative is no small task, but one that Hart completes with flying colors. The use of a wide array of weapons paired with flips and kicks and complex maneuvers keeps every fight exciting, energetic, and different from the last.

https://phxstages.blogspot.com/2020/01/review-she-kills-monsters-mesa-encore.html?m=1

 

Behind the Wheel - “How I Learned to Drive” explores the depths of one woman’s trauma from an inappropriate relationship. By Claire Boswell, March 18, 2022

The interactions between Peck and Lil Bit were sometimes difficult to watch, especially during the intimate moments, but again, the discomfort is an important part of this story. Intimacy director Stephanie “Tippi” Hart did an amazing job, working with Burke to ensure that these moments carried weight and movement, aligning with Lil Bit’s thoughts spiraling closer to a specific, clear memory of the abuse.

https://www.styleweekly.com/behind-the-wheel/ 

 

Stage Review: ‘Roman à Clef’ Challenges What We Accept as Truth by Christian Detres | May 16, 2024 

Tippi Hart plays Queenie, the problematic maternal figure as realized by the in-universe play. She, like the rest of the “cast”, has misgivings about her role being too one-dimensional, devoid of compassion for the realities facing women in crisis. Early on, these are taken as the affectations of an actress in too dim a spotlight. The role blossoms, and so does Ms. Hart, making the final act a revelation of her depth as an artist. 

Christian Detres | May 16, 2024 https://rvamag.com/art/stage-review-roman-a-clef-challenges-what-we-accept-as-truth.html